A Necessary Blessing in November!

I can't believe it is five years since I last posted on this writing blog. During that time I have self published two poetry books and two herbs books and now, in a frenzy of excitement, my debut novel will be appearing towards the end of the month.

As you can imagine, there are herbs and holy wells and drama and uncertainty but also positive steps and hope for the future.

The following tells you a little about the story and some very kind words from a those who have read it prior to publication.

A Necessary Blessing, releases on 19 November this year and my publisher, Heretic Publications, For any book bloggers or reviewers, it is available on request on NetGalley at the moment.

This is the blurb and some recent reviews.

“A novel of family secrets, ancient magic and healing, perfect for fans of Barbara Erskine and Christina Courtenay.”

Ruth Turner has a unique ability. She can walk through time, seeing the village, religious community and inhabitants as they used to be. Abandoned by her philandering husband, she makes new friends amongst village leaders, Greg Iles, the village blacksmith, Granny Compson, a retired farmer’s wife and Lord Peter Brazington, the prickly Earl of Haverliegh, owner of Roelswick Estate. 

As Ruth learns more about village history, she uncovers many secrets, which change her life and affect her closest friends, putting her at the centre of ghostly retribution. Can she use her new knowledge to unravel the cause of all the trouble before her community is torn apart again? 

A Necessary Blessing is the first book in the Roeslwick Chronicles by Sarah Head. Set deep in the heart of the Cotswolds, it charts the story of a rural village where modern and ancient practice work side by side.

Where past beliefs inform present customs, promoting future action, we understand how water is a necessary blessing to us all.

Praise for A Necessary Blessing

“A Necessary Blessing is a lovely, gentle story, unusual and intriguing, and steeped in folklore, druidic practices and supernatural abilities. The village setting is engaging and almost timeless. Although the heroine is downtrodden and abused at first, her fellow villagers unexpectedly come to her rescue and she begins to turn her life around. I very much enjoyed watching her find her place in the world and grow in confidence, and I willed her on to defeat evil in all its guises.”  Christina Courtenay

"A gem of a book"

“Well rounded, memorable characters make this book come to life, put together with a fast changing plot, the past and the present meet with an outcome well worth the read.”

It is an amazing and exciting process from holding a place and its characters in your imagination to seeing them appear in words and pictures, then to be cast out into the real world for others to experience. The beautiful cover and other illustrations have been provided by the wonderful, Charlie Farrow. There are plans to produce an audiobook to complement the Kindle and paperback editions currently available to pre-order.

If you are wondering what I'm working on next, a sequel has been started but that has been put on hold while I discover the stories of more villagers whose lives enrich the Chronicles of Roelswick.

Endings and beginnings

For the past ten years I've been busy taking minutes and organising events for Solihull Writers' Workshop. Now that responsibility has passed to another, leaving me with time to update this blog and maybe concentrate more time and effort on my own writing.

In an effort to keep track of all my current ideas, here's a list of what I'm working on.

A truck full of crowns - a novel set in the Cotswolds

The House of Oran - a tale of shapeshifting cats ruled by females

Netherbridge - stories of a Midlands village where folk still follow "the old ways", where wise women join the Knitting Circle and cunning men meet every Tuesday above the pub. You can read the first few excerpts here

The Herbwife's Apprentice - a non-fiction herbal text book to accompany my apprenticeship scheme

I still write poetry and my collection, At Home and Away, is my only publication still available. There are also a few songs which appear infrequently at festivals or Cornish concerts. 

We've just returned from Cornwall where we've had a productive ten days with friends, visiting new places and returning to beloved haunts. I wrote and performed a new song based on our day's stone circle hunting in West Penwith last Monday which was well received at the Wednesday concert along with 'The Orchards of Porthcurnik', which I wrote three years ago.

Now I need to knuckle down and pick up the enthusiasm engendured by our writers retreat down in Devon last month when the Badger/Koala Group emerged. We've already booked our next retreat in January at Acton Scott in Shropshire. I hope to have many thousands of words under my belt before then.
 

To dream of writing

Dan kneeled down and took a drink from the spring. He felt good. He knew he was going to be a great writer. It wasn’t how he first intended to spend his life. From a small child he was going to be a soldier in a red uniform and round pith helmet, like his Mum's father and grandfather. He was tall enough and strong enough but when he went to the magic lantern show in the village hall last year one of the scenes made him change his mind.

The officer in charge, a Colonel Abram, had just returned from many years in Africa where there had been several uprisings. One picture was taken in a market place where red coats were shooting natives, running them through with their bayonet. It turned Dan’s stomach. He knew soldiering could mean killing people. He wasn’t a sissy but if he had to kill someone he wanted it to be his decision, not having to act on someone else’s orders.

The Colonel was recruiting in the village. The slide show was supposed to tell everyone how exciting life could be in the army. Several young men took the King’s shilling. Luckily Dan was still too young so the sergeant passed him by once he knew his age.  

The soldiers marched off the next morning and most of them weren’t seen again in the village. Dan was the one who had to read their letters and write others for his grandmother and other women who had trouble with book learning. Gran had been blind for many years but could still do her bit to help from her chair in the corner of the kitchen. Mum said she was too busy bringing up children to have time to learn to read and writing was just a set of squiggles on a piece of paper .

It was a travelling preacher who taught Dan to read and write. Said it was a sin not to be able to read the Word of God; to write and figure too.  He was poor like everyone else, the preacher, so he spent one long, cold winter helping with the hedging and ditching in return for a bit of food and a place to sleep next to the fire.  He left once the footpaths dried out in Spring but now Dan could tell his Dad how many eggs the white hen laid, how much the pig was eating and what rent money the Land Agent wanted for the seven acres to be put into corn next Spring.

There wasn’t much time for writing, not with having to help out on the farm every day. Winter was easier, but the lack of heat in his bedroom meant his fingers were too stiff to hold a pen and besides, where was the ink coming from, let alone something to write on? Any paper they found was cut into squares to hang in the privy. No space for writing there, no time neither not with Nelly always banging on the door, telling him to hurry up because she wanted to go.

Then one day he was talking to Seth, the rector’s stable boy. Told him how paper was scarce and Mam wanted a letter written to her sister, Grace, over in Throckmorton Lane. Seth said he’d seen the housekeeper throw out a whole pile of books and papers for the gardener to burn on the next bonfire. The rector’s son was off to serve in Africa with the Queen’s Royal Hussars so his schoolboy things weren’t no use any more.

Amongst the pile were two notebooks, hardly used and a whole pile of clean paper for letter writing. The Gardener agreed there was no point in burning what could be used by someone else and let Seth give them to Dan. He showed the writing paper to his mother and that night, by candlelight, wrote down the message she wanted sent to Aunt Grace.

The notebooks he kept hidden. Mam wouldn’t understand what he needed them for, let alone agree he should waste his time putting thoughts down on paper. Normal folk didn’t write they worked. If they were had music running through their veins they might sing songs and learn new ones but you didn’t write stuff of your own just for the sake of it. Only the gentry wrote.

Dan took the notebook out of his pocket along with the pencil he’d found on the road. His hands were clean after drinking from the spring and the full moon gave him just enough light to see the page. It was such a beautiful moon, shining down on him, cloud kissed. He licked his pencil, took a deep breath and let the words begin to flow across the page.

A bit of fun for tonight's SWW

This piece was written as part of an exercise for tonight's meeting of Solihull Writer's Workshop.

Speeding granny sends Clarkson to jail

Magistrates sitting last Thursday in Solihull found Joan Brown (93) guilty of speeding in the pedestrianized portion of the High Street on her motorised disability scooter. Mother of four, Joan, was discovered by police to be travelling at 35 miles an hour. The maximum permissible speed for a disability scooter is 4mph on the pavement and 8mph on a road.

Mervin Merryweather, (63) counsel for the defence , said Mrs Brown was not aware of the true speed of her disability scooter since modifications had been made to the speedometer by Jeremy Clarkson, presenter of BBC TV’s Top Gear programme. The modifications enabled the scooter engine to travel up to 70mph on roads whilst showing a speed of only 10mph.

He said his client was used to travelling at speed since she was a pilot during the second world war, delivering all kinds of aircraft to British airfields, including spitfires from the Castle Bromwich factory.

Mr Clarkson (52) was asked to explain why he had undertaken the modification to Mrs Brown’s scooter. He said he realised that making changes to a speedometer were illegal but it annoyed him to travel behind old people who drove very slowly. He recently undertook the same modifications to a car as part of a recent Top Gear programme and drove it on the road. After the programme was aired on Sunday, 24 February 2013, he was inundated with requests to perform the same modification to other vehicles which he was happy to do.

Asked by the magistrates to identify the person who requested Mrs Brown’s speedometer to be modified, father of three, Clarkson, said he couldn’t remember the name. He said, “Some old biddy in a blue cardigan appeared in my workshop waving £100 notes under my nose. She didn’t give any details and I wasn’t going to ask any questions. I just took the money and made the changes.”

Mr Merryweather told the court his client believed a Belinda Hoggetts of 22, Whitehouse Way, Solihull, was responsible for the modifications to her disability scooter. Mrs Hoggetts worked for Age UK (Solihull) and managed the scheme for loaning scooters to Solihull residents who wished to go shopping in Solihull pedestrianized area.

When questioned, Mrs Hoggetts (46) admitted she had paid Mr Clarkson to modify Mrs Brown’s scooter. She said, “My husband, Trevor, is a great fan of Top Gear. When he saw the changes Jeremy Clarkson made to his motor vehicle to make it more convenient for older adults, he suggested I should approach Mr Clarkson to make similar changes to our Age UK disability scooters. Mrs Brown’s scooter had recently come back to us for a service, so I took it to Mr Clarkson’s workshop in Chipping Norton and paid him for the modifications.”

In sentencing Mrs Brown, magistrates agreed she was only partly responsible for her crime. She was fined £400 and ordered to do sixty hours community service. Mr Clarkson was remanded in custody charged with making illegal modifications to motor vehicles.  He was also bound over to keep the peace after shouting at the magistrates calling them “Country buffoons without an ounce of common sense” and declaring he was immune from prosecution because he was a BBC presenter. Mrs Hoggetts was also fined £400 and ordered to do 500 hours community service.

The above is a work of fiction!

Book review: Proof of Guilt by Charles Todd

Creating a believable story in a historical setting is hard work. Setting it in a country which is not your own takes care and a great deal of research. At least it does if you don’t want to make glaring errors which trip up your readers.

Proof of Guilt  is the 15^th investigation of Scotland Yard Inspector, Ian Rutledge, set in 1920's London by mother and son team, Caroline and Charles Todd. Their hero is an upper middle class graduate detective with sufficient independent means to own his own flat and run a motor car whilst suffering from claustrophobia and shellshock which had him hospitalised for six months following the end of the war. He is also dogged by the Scottish voice of a corporal he was forced to execute for refusing to lead his men into battle from the relative safety of the trenches. Hamish MacLeod is a very useful ghost as he helps the inspector ask pertinent questions and always knows when a suspect is lying.

The publishers of Proof of Guilt, William Morrow, want to expand Charles Todd’s literary exposure into the UK. After all, the stories are set in south-east England and East Anglia so they should appeal to a UK market. If that is their aim, it was a shame they didn’t ask someone from the UK to proof read the manuscript before it was published, then maybe they could have flagged up some of the more obvious linguistic and grammatical errors.

I admit I’m a pedant. I also had the advantage of going to a good grammar school where I was taught Latin and given a grounding in English language as well as literature. I understand few Americans have these opportunities but most of the American authors I admire appear to have grasped the fact you don’t start a sentence with “And” or “But”, names should be enclosed by commas on both sides (because this is the vocative case) and you never put a comma before “and”.

I do realise the UK and America are divided by a common language. I’ve lived in America and have argued until I was blue in the face with an American editor who tried to tell me my use of commas was wrong. (It’s not when you write English.) I understand Americans can’t read books unless they are printed with their concept of spelling but if books are going to be marketed the other way across the pond, then our spelling habits should be considered.

Charles and Caroline Todd have spent many happy holidays in the UK. They’ve obviously noticed that we don’t all live in single-room cottages with roses growing around the door. All their prestigious houses in “Proof of Guilt” have three stories. I know every building has its own tale to tell, but I really thought when you added another floor to a house it was a storey. Maybe I’m wrong.

It’s also probably unfair to expect an American to understand the complexities of using the correct verb for the action they are trying to express in a culture which is not their own. Chapter three begins, “It wasn’t an enquiry that Rutledge relished. A man had been killed in Chelsea, not far from the house where Meredith Channing had lived.  It was closed now.”   

Sorry? What was closed? Chelsea? Oh no, he meant the house. Maybe someone was tidying the text and thought an “up” on the end of “closed” wouldn’t be understood and yet that’s what you do with large houses you don’t want to live in for a while, you close them up.

The other howling mistakes come on pages 25 and 83. I’m really sorry but we’ve always used the word petrol to describe the fuel in our cars. Gasoline is very much an American term not understood over here until the 1960s. Even though the acting Chief Inspector of Scotland Yard is a dour Yorkshire man, I really can’t hear him uttering the words, “gasoline-propelled vehicle” no matter how many qualms he had about them.

On page 83, the “lady of the manor” goes into the local inn for breakfast because she doesn’t want her staff to be inconvenienced by serving her at such a comparatively late hour. We won’t talk about the social niceties of people not eating outside the home until the Second World War, that’s another discussion altogether but I was surprised by her choice of Scotch eggs for breakfast. I was even more surprised she asked Inspector Rutledge to go away “because my breakfast is getting cold”. These are obviously a new kind of Scotch eggs which are served hot, not the cold picnic food kind of Scotch egg I’ve been used to all my life.

Now that I’ve exposed my pedantry, what about the story? This is taken from the blurb on the back page. “An unidentified body appears to have been run down by a motorcar and Ian Rutledge is leading the investigation to uncover what happened. While the signs point to murder, vital questions remain: Who is the victim? And where, exactly, was he killed?

One small clue leads Rutledge to a firm built by two families, famous for producing and selling the world's best Madeira wine. Lewis French, the current head of the English enterprise, is missing. But is he the dead man? And does either his fiancée or his jilted former lover have anything to do with his disappearance—or possible death? What about his sister? Or the London office clerk? Is Matthew Traynor, French's cousin and partner who heads the Madeira office, somehow involved?

The experienced Rutledge knows that suspicion and circumstantial evidence are not proof of guilt, and he's going to keep digging for answers. But that perseverance will pit him against his supervisor, the new acting chief superintendent. When Rutledge discovers a link to an incident in the French family's past, the superintendent dismisses it, claiming the information isn't vital. He's determined to place the blame on one of French's women despite Rutledge's objections. Alone in a no-man's-land rife with mystery and danger, Rutledge must tread very carefully, for someone has decided that he, too, must die so that cruel justice can take its course.”

The first two chapters of the book really don’t add anything to the story and could have been cut in the final edit. Once Inspector Rutledge appears in chapter three the reader can indulge in a fairly pleasant whodunit with good pace, interesting descriptions and enough plot to keep your attention for the couple of hours it takes to read.  I read it last week whilst suffering from a nasty ‘flu like virus and it was a good yarn to while away the hours when I couldn’t do anything else.

I liked Inspector Rutledge and began to care about his character but he was the only person in the book who kept my attention. There were far too many policemen with different names wandering around Scotland Yard and most of the other characters were cardboard cut outs with very little hanging off them to make me believe they might have once lived in their locations.

The plot was fairly predictable. When you have someone your superior officer knows must be the culprit, it is obvious the killer is going to be someone the hero has his money on. I’d even identified the correct flowerbed for the corpse several chapters before the ends were all neatly sewn together.

Inspector Rutledge is a sweetie, but it’s obvious his university degree did not include any UK legal procedures. Having tootled up to Suffolk to collect delicious suspect number two, Miss Whitman, in his own motor vehicle there is no mention of a warrant for her arrest. (Strange he’s allowed to use his own car for police business when Inspector Japp of Scotland Yard always has access to the latest police Rover plus at least one driver no matter how far he is going!)

Inspector Rutledge has a soft spot for Miss Whitman. Having taken her on a sightseeing tour of Willie Lott’s cottage on their way back to London to enable the baddie to decide not to take a pot shot at them, he “stayed with her through Magistrate’s Court where she was remanded to Holloway…” The intimation was that this was all done and dusted in a couple of hours.

Unfortunately, Charles Todd and his mother must have forgotten there is a big difference between the UK and US legal system when it comes to locking up suspects. In the US, every town has a jail and prisoners being held prior to being charged with an offence are kept in that jail. Police stations do not have cells. (After a lifetime of watching TV westerns, I was surprised too but that’s what they told me when I did a study tour of the west coast of the US looking at diversion from custody of mentally ill offenders.)

In the UK, it’s different. If someone is arrested they are held in police cells until they are either charged and bailed or charged and remanded in custody after a hearing before the Magistrates Court.  Magistrates only sit between the hours of 10am and 4pm in a normal court, so I doubt anyone brought up to London in the late afternoon would have been put before them until at least the next day.

If Inspector Rutledge were truly a London policeman, he’d have handed his prisoner over to the custody sergeant at Scotland Yard and that would have been the end of his responsibilities that day.

My verdict on Proof of Guilt? If you want to fill a couple of hours with something light and fluffy you don’t have to think about, it’s a reasonable read. The ending is far too abrupt to be satisfying and the hero doesn’t even get a “thank you for saving me from the gallows” kiss from the girl he fancies.

Charles and Caroline Todd are reasonably competent writers if you omit the first two chapters of this book. I would suggest they give their next manuscript to someone from this side of the pond before it’s published if they want to gain the respect of a UK audience.

If anyone in the UK who would like to read a copy of Proof of Guilt, I have one to give away. If you become a blog follower  and leave me a comment to say why you’d like to read it, I’ll draw the names out of a hat next Sunday evening (Feb 24^th) and send it to you.